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JORDAN RUDESS WIRED FOR MADNESS ALBUM REVIEW
As the keyboard player for prog metal supremos Dream Theatre, Jordan Rudess usually gets hidden behind a bank of thundering drums,...


YNGWIE MALMSTEEN BLUE LIGHTNING ALBUM REVIEW
It's been over twenty years since Yngwie Malmsteen's Inspiration album, where he first delved into his childhood love of the blues on a...


ROBIN TROWER COMING CLOSER TO THE DAY ALBUM REVIEW
Robin Trower's latest album is tinged with mortality and thoughts of a life well lived, and life of regret. Trower himself is still a man...


DELICATE STEVE TILL I BURN UP ALBUM REVIEW
Till I Burn Up is another electronic soundscape from Delicate Steve. His fifth album this decade is a mirror-to-the-world: a comment on...


TESLA SHOCK ALBUM REVIEW
Tesla was always one of those rock bands that embraced the stadium sound but shunned the Spinal Tap image that became synonymous with the...


GARY HOEY NEON HIGHWAY BLUES ALBUM REVIEW
Gary Hoey's latest album was a year and a half in the making. In-between touring he was busy refining every lyric and lick until he was...


J.D SIMO OFF AT 11 ALBUM REVIEW
The blues is a wonderful genre that's so much more diverse than waking up in the morning, girls leaving and mourning a lost pet. There&#


REESE WYNANS SWEET RELEASE ALBUM REVIEW
Perennial blues sideman, Reese Wynans, has been the whirling heart of blues and country for the last 50 years. He may not be a household nam


ELECTRIC MARY MOTHER ALBUM REVIEW
Australian rock band Electric Mary continue the reign of full throttle rock with album number four. It's been eight long years since the...


ERIC GALES THE BOOKENDS ALBUM REVIEW
As Storm Erik threatens to lash the UK, blues master, Eric Gales has whipped up his own tempest on his new album, The Bookends. Meteorologic


DEER TICK MAYONNAISE ALBUM REVIEW
The Rhode Island rockers have excelled themselves by returning to materiaal from Vol 1 and Vol 2 album, along with covering the work of othe


INGLORIOUS RIDE TO NOWHERE ALBUM REVIEW
New band, new sound. The pomp and bombast of their previous albums has been replaced with a more contemporary feel that's not so reliant...
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